In honor of the 50th anniversary of The Beatles coming to America (via The Ed Sullivan Show) I decided to do one of their classics. Also last Sunday I saw part of a special on CBS celebrating the anniversary and this one really spoke to me.
This song has been covered, by, like, a billion talented, well-known artists so it’s maddening to figure out who to include and who to ignore. There are plenty of covers I don’t like by people I do like. Seal, Ike & Tina Turner, and Bruce Springsteen, for example, but I’ve put in a couple others as well. (Whoever put up the Springsteen one set it over scenes from Cinderella, which I don’t get the connection at all.)
“Something” is absolutely one of the most beautiful, romantic songs I’ve ever heard. The original is so simple and straightforward yet so powerful and passionate. The depth of feeling and love in this composition is amazing. It acknowledges that’s everything’s not all butterflies and roses, and there could be doubt, but it’s still hopeful and devoted. It’s bloody brilliant.
We get to hear the song done live by George Harrison and Eric Clapton. The enduring friendship of these two men is astonishing, given everything they’ve gone through together. The video itself is a fan made piece in honor of Mr. Harrison, so watching it and hearing him live is a bit melancholy. Although I love Paul McCartney, George Harrison was my favorite Beatle crush.
The Lauryn Hill performance on David Letterman – wow. I’m not going to say it’s better than the original, but the full backing band and the whole bluesy-rock interpretation is audacious. She took this classic timeless song and just put her own unique stamp on it. As the video fades out you can even hear the awe and admiration from Dave and his band leader, Paul Shaffer. And it’s richly deserved.
Another truly unique rendition comes from James Brown. George Harrison actually stated that this was his favorite version. It’s funky and rhythmic, and unlike any other take I’ve gone through. It’s so far out of the realm of how you think of this song that you really have to work hard to open yourself up to it. I’m trying, a bit, and the more I listen the more I can appreciate James’ vision of the song.
I don’t really think I’m feeling the studio version by Dame Shirley Bassey. Great singer, powerful voice, full orchestration in the background, but – meh. Now, conversely, I can actually enjoy the live version better. Could be because there seems to be less unnecessary fluff and gimmicks to it, maybe.
Frank Sinatra is awesome. He truly shows the versatility of the songwriting involved. It’s modern and it’s old-school classic romance, all at the same time. It’s universal. During the performance you can even see Frank getting lost in the beauty of the song