… but I digress

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Cover Battle – “Bad Moon Rising” October 3, 2014


 

The song “Bad Moon Rising” by Creedence Clearwater Revival is a familiar tune; it’s been around since 1969. It’s been used in movies (An American Werewolf in London, Blade, The Big Chill); in tv shows (Supernatural, The Following, Cold Case); and in video games (Guitar Hero). The song talks about that sense you get when you just know something bad’s coming, it feels like the universe is throwing you outsized warnings and you’re kind of on pins and needles waiting for it. But the music behind it is so bouncy and peppy it makes you feel happy, not nervous.

 

Another tv show that’s used the song is The Walking Dead. Even though it’s one of my favorites, I really don’t remember this Mourning Ritual version being used in a trailer. No matter, though. It seems to be a perfect fit with the dread, foreboding and fear of the ever present zombie apocalypse depicted onscreen. The slow, creepy opening, and the persistent throbbing drums that get you pumping and amps up anxiety. It makes you feel there’s something just over your shoulder that’s coming to get you. A totally different feel than the original. The more I listen to this the more it gets my neck hairs standing on end. Well done.

 

Jerry Lee Lewis released an excessively twangy country-sounding version of this. Oh my god, no. This doesn’t work for me at all. It’s not that I necessary have a problem with the really raw, jam session, home-studio sound of it, it’s just the backwoods shack, jug and washboard, moonshine, Deliverance feeling it gives me. That might be more unsettling and uncomfortable than what’s actually going on in the song.

 

Jerry Lee also recorded this with the song’s original writer, Creedence lead singer John Fogerty. Still has some ultra twangy guitar licks, but it sounds way more polished and artfully produced than Jerry’s solo turn, which makes it a bit more palatable.

 

Oh lord – now I’ve really I’ve fallen into a twangy vortex! This next one is by the artist Emmylou Harris. So country. So honky-tonk. Lots of wailing. Whoever does the piano solo on this is really good, and the harmonizing Emmylou does with the backup singers blends together well. But still – I may have to listen to something seriously head banging after this.

   

   

 

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