… but I digress

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Cover Battle – “Seven Nation Army” July 18, 2014


 

Both the video and the insistent pounding rhythm for “Seven Nation Army“, by The White Stripes, are striking, hypnotic and kind of trippy. It’s one of those songs that makes you want to discover all the nuances. and track down the meaning behind the lyrics, and the story behind the metaphors. The video is almost messianic and the song itself is anthemic. But beyond that, it’s just a fabulous rock song. I found myself hitting repeat many times.

 

On my first listen I didn’t feel that lead singer Jack White was that great of a vocalist. I thought it would get in the way of me really getting into the song, but after several replays the roughness fits for me. I’ve actually heard a couple of things he’s done with other artists, and I’ve been impressed and intrigued by him. In the documentary “It Might Get Loud” we can see Jack jamming on the song with legends Jimmy Page and The Edge, and it’s a thrilling goose-bump moment.

 

The first time I actually heard this song was from a live performance, in Montrieux, by Living Colour. They are most definitely at the top of my list of phenomenal musical acts. They’ve been in the game for years, and they’re still going stronger than ever. The guitar work and drumming on this is so fierce. They put their own spin on it by taking a great song and making it even more badass than the original. I’m so used to hearing the band with Corey Glover doing lead, but I like the gruff rawness of Vernon Reid.

 

New artist Zella Day does this in a totally different way than anyone else. Her version is backed with a simple guitar and sounds much sweeter than the two covers noted above. Even though hers is less throbby and percussive it still stays with you. It’s not unsettling; it’s just haunting and a plays to a mystery within the song. So far we have 3 renditions I wouldn’t mind listening to multiple times.

 

I have another live performance for you, this time from Argentina. It’s done by the group The Pretty Reckless, fronted by actress Taylor Momsen. She played Cindy Lou Who in the Jim Carrey Grinch movie. (Yeah, that makes me feel old, too). Their version brings it back to the hard rocking, and wailing guitar feel. This one, I think, is even more punk-like. (If I know anything about punk. Which I probably really don’t, but whatever). However, I don’t find that they keep the mystery of the song, and with this version I wouldn’t really be compelled to explore the meaning behind it. It’s done really, really well, though, and I wouldn’t mind hearing it again if I want a real head banging, hard driving good time.

 

 

A remix was done, by The Glitch Mob, for the movie G.I. Joe 2: Retaliation. I’m not really a fan of remixes in general because they tend to draw you in with a familiar rhythm and then just beat it into your ears with an aural crowbar until you actually get sick of hearing the original song that drew you in, in the first place. I don’t know the technical term but whatever is on top of the vocals – (reverb, distortion, techno, whatever) is annoying and grating. It’s over powering. It might be great for the G.I. Joe movie or a tie-in video game, but goodness I couldn’t wait for this to be done.

 

A favorite of singer Kelly Clarkson, the song pops up in her live shows quite often. She rocks out to this very well. The specialness is in the song itself, but she doesn’t really add anything. Other than a good live performance.

 

I don’t really think Audioslave adds anything more to this either. The audience seems to enjoy it, but it didn’t do it for me. Just a lot of atonal screaming.

 

X-Factor contestant Marcus Collins released this as his first single, and I’m just like … NO! The video is just horrible and he turns the song into some light fluffy joke devoid of anything worthy of being listened to. It’s ridiculous. He should have just stayed in his lane. Or better yet, just stayed home and not even attempted it. Bad Marcus. Bad, bad Marcus. Now go sit in the corner and think about what you’ve. And keep your mouth closed.

 

I’m not really sure how I feel about what The Oak Ridge Boys did with this. As part of an interview for Sirius XM radio they did this in studio, vocally recreating the familiar guitar riff during the song’s intro, as well as in other spots. It’s dramatic and well-harmonized, but … maybe a little melodramatic with a dash of kitsch? It’s … odd.

   

   

 

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